Skip to main content

Dance as a form of Therapy

Today I met a wonderful woman that works helping sexually abused girls & women. When I told her that I teach Hula & Tahitian she said "that's great - let me have your business card, I often recommend Polynesian dance as a therapy to help heal the physical and psychological wounds these women have to overcome from being sexually abused."
She went on to say that "many girls & women become very stiff and ridged with the lower half of their body and she recommends hula dance so that they may become whole agin. Polynesian dance helps them to reconnect with their bodies and see themselves as beautiful."

Needless to say I was very happy and proud that I would be able to help through my knowledge and love of  Tahitian and Hawaiian dance!

Dance therapy is founded on the premise that the body and mind are an interrelated continuum, that the state of the body may affect mental and emotional wellbeing in manifold ways.


Reconnection to their Bodies

In a study of sexually abused young women - participants talked about how they had rejected their bodies because it felt fragile or because it had enticed their abuser. They felt that they were not completely present in their bodies and experienced dissociation.

For example, one participant explained that she had spent the majority of her life feeling like her body walked in front of her. Dance therapy helped them become more aware and comfortable with physical sensations and different parts of their bodies (Mills & Daniluk, 2002).

A reconnection with their bodies increased their sense of safety, control, self-acceptance and care of their bodies. Their increased sense of control and safety helped them remain present in their bodies when painful emotions and sensations emerged about their past sexual abuse. The participants contended that dance therapy helped them learn alternative ways to deal with painful memories.

Dance therapy taught them to utilize their bodies as a way to "anchor" them in the present when dealing with painful memories (Mills & Daniluk, 2002). In addition, dance therapy allowed them to decrease their use of defensive reactions to cope with psychological pain. The women also reported that dance therapy increased their emotional awareness. The women could more easily and accurately discover and identify emotions (Mills & Daniluk, 2002).

Comments

  1. Yes, Dance is amazing therapy. Dance therapy helps to providing relief against many communicating disorders and other diseases.

    ReplyDelete

Post a Comment

Popular posts from this blog

Tips to Help Senior Parents Stay Safe, Healthy, and Happy When You Don’t Live Nearby

written by  Claire Wentz Caringfromafar.com We all want what’s best for our parents and other loved ones in their senior years, but it isn’t always easy to know what the best is. When you’re a caregiver and your senior loved one doesn’t live nearby, your situation is even more complicated. If this is you, these tips will help you make sense of your options so you can give them the best, even when you’re far away. Stay on Top of Legal, Financial, and Medical Information For a caregiver who lives long-distance, the first thing you want to do is ask your loved one if you can help with legal, financial, and medical matters. HuffPost says you should get all of their important financial documents organized, and then you can begin to simplify their life by setting up things like automatic bill paying. You can also help with medical information to make sure they’re getting the care they need. One thing to be aware of is that Medicare plans can change, and if your lov

Polynesian Dance Terms

A big thank you to:  Kalani N. Poʻomaiahealani  for researching and providing the following hula terms Hula Dance Terms 1. ʻAi: dancing style or type 2. ʻ Ai ʻami : type of haʻa with little foot movement, hips revolve throughout the dance 3. ʻ Ai haʻa : hula step executed with bended knee 4. ʻ Ai kāwele, Kāwele: haʻa step; one foot makes a half circle forward and to the side without touching the floor; usually in combination with other steps as the holo or ʻuwehe; used in "A Koʻolau Au" 5. ʻAmi: rotation of hips in a circle 6. ʻ Amiʻami, ʻAmi hula : jerking motion of the hips back and forth in a crude or vulgar manner 7. ʻʻAmi kāhela, ʻAmi poepoe: hip rotates with the weight on the right hip as the left heel lifts very slightly, then reversing this action 8. ʻAmi kūkū: like the ʻami kāhela except the revolutions are smaller, faster and in groups of three; sometimes combined with two slower kāhele revolutions 9. ʻAmi kuʻupau (uninhi

Green Rose Hula

The green rose is called the "leaf rose". Laida Paia, Mrs. James Keoni Willis, a member of John Almeida's trio composed this mele (song) although it has always been attributed to John  Kameaaloha Almeida . She was the mother of Koko Willis and John  Kameaaloha Almeida  acknowledged and always gave her due credit when he performed it, especially when Koko or other members of her family were in the audience. Confirmed by Pali Lee, wife of Koko Willis who died in 1994. Translated by Mary Pukui, Music clip by Lani Lee Blind from the age of 10, John Kameaaloha Almeida was a composer (over 300 songs), vocalist, instrumentalist, teacher, bandleader, recording artist, and recording executive.  He was truly one of the outstanding figures in Hawaiian music history and was known as the "Dean of Hawaiian Music".  Songs that he composed include Green Rose Hula, Roselani Blossoms, and perhaps his most famous, Pua Tuberose.  He had the reputation as a Casanova, a